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Meet The Band
 
 
Karlin - Bass  (click to email Karlin)

Karlin’s musical tastes are rather open -- with a severe aversion to polka and/or Dancehall reggae. His musical inspiration begins with Prince’s Purple Rain in 1984, runs into the Beatles, bumps into Country of the 40's, 50's and 60's, trips over The Police, slides into bebop, runs into fusion (Miles Davis/Stanley Clarke) and Afro-Cuban jazz, lands on Parliament- Funkadelic, Rush and Fishbone, and ends ups somewhere near Yes and in between Mudvayne, Tool and Meshell Ndegeocello. Is the only African- American you’ll ever meet that’s not a huge fan of Rap. Karlin started on guitar at age 15, but switched to bass at age 23 (everybody plays guitar) and has held the bottom line for about 8 rock bands since 1995.

 

 

 

Bill - Lead Guitar (click to email Bill)

Bill started playing the guitar after a productive but undistinguished stint as an grade school clarinetist. He initially took up the instrument as a way to meet girls and irritate his parents, since working at a grocery store was accomplishing neither. After a few years, Bill learned a few chords...and that bagboys earn more than musicians. Although the world is awash in great players, Bill was certainly influenced by the following guitarists: Tommy Bolin, Tuck Andress, Pierre Bensusan, Dave Wronski, Albert King, Albert Lee, Tommy Shaw, Nigel Tufnel, and Chris McLatcher. Other influences include John Mercurio, Neutral Milk Hotel, Greg Brady, Thelonius Monk, Art Monk, Paul Lynde, and the sweaty shirtless lyrics of Mark Farner. Bill is proud to have shared the stage with: Endless Shrimp, Barakus, Brainfang, Johnny Ireland, Mike Grebb, J6, Oxen, Kat Mizani, The Construction Paper Band, Fun at the Zoo, the Diva Diaries orchestra, and a cruise ship open mic. Bill has no equipment endorsement deals, but, in fact, receives money from manufacturers in return for agreeing not to play their instruments in public. He usually wears blue or brown shirts and often uses all 6 guitar strings that come in the package, especially the 4th string, which is his favorite. Bill is fond of cheese, and his lucky numbers are 62, 3 and 145. Moo!

 

Brian - Drums  (click to email Brian)

Brian was raised a poor black child. No wait, that was Steve Martin. His first experience with the drums was in the 7th Grade Band. Yes, please insert Band Camp jokes here. Let's just say he didn't look good in a green dickie! The outfits in High School weren't much better. He has too many influences to list. Basically, he is very impressionable, and can't come up with an original idea to save his life. His first paying gig was on the mean streets of DC, kicking go-go on the buckets for $20 during a bathroom break at a Bar Crawl. After many stints in various bands, who's albums went Frankensense, Myrrh, and even Double Myrrh, and touring many key Stratego countries (they know who they are), he decided to get back to his DC roots. He answered what he thought to be a Personal Ad on Craig's List, but ended up with a band audition instead. The rest is history. Only 2 months worth of history so far, but it's a start. To sum up Brian's musical style and on-stage presence in one word, it would have to be: Gay (adj) merry; full of light-heartedness and merriment [13th century. Old French gai "happy"].

 

 

JP Corwyn - Vocals, Rhythm Guitar 
(click to email JP)

Legally blind since birth, singer/songwriter JP Corwyn began perusing the local zines in Fort Myers, Florida at the age of twelve, hoping to audition for bands seeking a lead vocalist. Even at that age, Corwyn knew his lot in life was to be a performer, even though the bar bands he was cold-calling didn’t agree at the time because of his youth. So Corwyn worked on his craft by learning guitar, keyboards, bass and drums, and eventually began to use his own life experiences to write music.

Now, as a recording artist based in the Washington, DC-area, Corwyn’s influences are all over the map—from the pure vocal power of Angie Aparo to the grunge of Layne Staley and Eddie Vedder to the R&B flavor of Stevie Wonder to the vocal theatrics of Jeff Buckley. A nd with songwriting influences that also include the likes of Bob Dylan, Rachel Boland and Marcus Miller, Corwyn’s music can aptly be described as original. And above all, he is inspired by the potential connection between songwriter and audience. “There’s no electricity to match the feeling when people are singing back your lyrics to you,” he says. “In the end, that’s why I fight/hunt/sing/play/write/am.”

Now, after a few years of honing his skills, Corwyn is about to begin shopping his EP for label representation. His songs are emotive and full of hooks, but it’s really his trademark powerful voice that is sure to garner plenty of industry attention.

 

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"In Plain Sight"
JP Corwyn's new release - click on the CD cover to listen...

 

MySpace.com/JPCorwyn

 

 
 

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