Meet The Band
Karlin - Bass
(click to email
Karlin)
Karlin’s musical tastes are rather open -- with a severe
aversion to polka and/or Dancehall reggae. His musical
inspiration begins with Prince’s Purple Rain in 1984,
runs into the Beatles, bumps into Country of the 40's,
50's and 60's, trips over The Police, slides into bebop,
runs into fusion (Miles Davis/Stanley Clarke) and
Afro-Cuban jazz, lands on Parliament- Funkadelic, Rush
and Fishbone, and ends ups somewhere near Yes and in
between Mudvayne, Tool and Meshell Ndegeocello. Is the
only African- American you’ll ever meet that’s not a
huge fan of Rap. Karlin started on guitar at age 15, but
switched to bass at age 23 (everybody plays guitar) and
has held the bottom line for about 8 rock bands since
1995.
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Bill - Lead Guitar
(click to email Bill)
Bill started playing the guitar after a productive but
undistinguished stint as an grade school clarinetist. He
initially took up the instrument as a way to meet girls
and irritate his parents, since working at a grocery
store was accomplishing neither. After a few years, Bill
learned a few chords...and that bagboys earn more than
musicians. Although the world is awash in great players,
Bill was certainly influenced by the following
guitarists: Tommy Bolin, Tuck Andress, Pierre Bensusan,
Dave Wronski, Albert King, Albert Lee, Tommy Shaw, Nigel
Tufnel, and Chris McLatcher. Other influences include
John Mercurio, Neutral Milk Hotel, Greg Brady, Thelonius
Monk, Art Monk, Paul Lynde, and the sweaty shirtless
lyrics of Mark Farner. Bill is proud to have shared the
stage with: Endless Shrimp, Barakus, Brainfang, Johnny
Ireland, Mike Grebb, J6, Oxen, Kat Mizani, The
Construction Paper Band, Fun at the Zoo, the Diva
Diaries orchestra, and a cruise ship open mic. Bill has
no equipment endorsement deals, but, in fact, receives
money from manufacturers in return for agreeing not to
play their instruments in public. He usually wears blue
or brown shirts and often uses all 6 guitar strings that
come in the package, especially the 4th string, which is
his favorite. Bill is fond of cheese, and his lucky
numbers are 62, 3 and 145. Moo!
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Brian - Drums
(click to email
Brian)
Brian was raised a poor black child. No wait, that was
Steve Martin. His first experience with the drums was in
the 7th Grade Band. Yes, please insert Band Camp jokes
here. Let's just say he didn't look good in a green
dickie! The outfits in High School weren't much better.
He has too many influences to list. Basically, he is
very impressionable, and can't come up with an original
idea to save his life. His first paying gig was on the
mean streets of DC, kicking go-go on the buckets for $20
during a bathroom break at a Bar Crawl. After many
stints in various bands, who's albums went Frankensense,
Myrrh, and even Double Myrrh, and touring many key
Stratego countries (they know who they are), he decided
to get back to his DC roots. He answered what he thought
to be a Personal Ad on Craig's List, but ended up with a
band audition instead. The rest is history. Only 2
months worth of history so far, but it's a start. To sum
up Brian's musical style and on-stage presence in one
word, it would have to be: Gay (adj) merry; full of
light-heartedness and merriment [13th century. Old
French gai "happy"].
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JP Corwyn - Vocals,
Rhythm Guitar
(click to email JP)
Legally blind since birth, singer/songwriter JP Corwyn began
perusing the local zines in Fort Myers, Florida at the age of
twelve, hoping to audition for bands seeking a lead vocalist.
Even at that age, Corwyn knew his lot in life was to be a
performer, even though the bar bands he was cold-calling didn’t
agree at the time because of his youth. So Corwyn worked on his
craft by learning guitar, keyboards, bass and drums, and
eventually began to use his own life experiences to write music.
Now, as a recording artist based in the Washington, DC-area,
Corwyn’s influences are all over the map—from the pure vocal
power of Angie Aparo to the grunge of Layne Staley and Eddie
Vedder to the R&B flavor of Stevie Wonder to the vocal
theatrics of Jeff Buckley. A nd with songwriting influences that also
include the likes of Bob Dylan, Rachel Boland and Marcus Miller, Corwyn’s music can aptly be described as original. And above
all, he is inspired by the potential connection between
songwriter and audience. “There’s no electricity to match the
feeling when people are singing back your lyrics to you,” he
says. “In the end, that’s why I fight/hunt/sing/play/write/am.”
Now, after a few years of honing his skills, Corwyn is about to
begin shopping his EP for label representation. His
songs are emotive and full of hooks, but it’s really his
trademark powerful voice that is sure to garner plenty
of industry attention. |
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